Un script already seen what went on stage March 12 at the theater last 'Caserta, a city of peace' to Puccianiello (EC). As part of the exhibition 'Theatrical Events 2010-2011' went to the scene 'Elisir D'Amore'. 
donizzettiana opera is so dear to the fans of opera. Audiences flocked to see who finished spectacle offered by the Cultural nth 'The excluded', by Anna D'Ambra, artistic director, and Michael Cerrato, the administration department. A show that has shown that its organizers have found the elixir of success. By now, just prepare the potion is a success is assured. A success that the series 'Theatrical Events 2010-2011' sought and deserved in his fourth edition. Nobody would have questioned, however, that the evening was a success. This is due to the fact that there were precedents. In the past theater review 2009-2010, the same theater, had already triumphed at the opera 'Cavalleria Rusticana'. On 12 March, however, the jubilation of the public, repeating, almost surpassing the previous year. That represented the public was a comic opera in which stand the relationship between the protagonists, Adina and Nemorino, the values \u200b\u200band character their love affairs all veiled by a vein of melancholy. The emotions conveyed by the work carried the audience glued to the chair, holding for both acts. The actions of the protagonists and set out in the course of the play, have been exalted above all from the stage, simple but concrete, and then the game, fun, fun, a variety of scenic elements moved by the same actors. To act as a stimulus for all also key reading on the opera stage revival REP 
entata. A stimulus to which everyone contributed. The story from the opera and its characters were revived in a plant scenic and historic other than its characteristic. The public has witnessed a kind of transposition of the installation stage to another period closest to them and who wanted to be sure, as was also said, a kind of communication language and visual impact to the public. The action was in fact, place the other hand, in a village in the Basque Country from the late eighteenth century, a village in Italy in the nineteenth century. A tribute to this, the organizers wanted to pay tribute to the anniversary of the Unification of Italy, which falls on 17 March. A fact which is also part of law in this theatrical event for the celebration of events 150 years of the unification of Italy. To perform on stage, the soprano Tiziana Galdieri in the role of Adina, wealthy and capricious tenant. The content Pittari Francis in the role of Nemorino, a peasant, a simple young man. The baritone Hermann Shepherd in the role of Belcore, a sergeant stationed. Massimo Rizzi down funny in the role of Dr. Dulcamara, medical rounds. The Cira Di Gennaro soprano in the role of Jeannette, villanelle. The vocal group 'The Singers of San Ferdinando': Soprano: Maria Pia Barlucchi, Antonio Siniscalchi, Maria Comparone, Concetta Ferraro, Maria Luisa Ciommiento, Mirella Bonavita, Sarah Fredericks, Matilde 
D'Andrea. Mezzo Soprano / contralto Anna Scognamiglio, Tonia Bernard, Teresa Perillo, Laura Pandalone, Assunta Iacobacci, Annamaria Batelli, Nadia Marino. Tenors: Carmine Mennella, Salvatore de Crescenzo, Luigi Strazullo, Salvatore Basile, Giuseppe Easter. Baritones / Basses: Andrea Langella, Nicola Munn, Ferdinand Lubello. Extras as listed: Francesco Colella, Anastasia Marino, Sergio Lieto, Alexei Novikov, Paolo Rocco, Federica Valenti, Paola Bianco Gaia. Trumpet: Enzo Cozza. Pianist: Rosario Pignatelli. Choreography: Robert Baiocchi. Assistant: Mark Rozza, Laura March. Mastro collaborator stage: Toni Bernard. Music Direction: Cira Di Gennaro. The curtain of the theater opened with a first scene was the yard of a farm where they were resting i mietitori e le mietitrici e sul cui sfondo si vedeva la campagna. Da qui poi, si è articolato tutto il primo atto attraverso dieci scene. La scena che, apparendo all’inizio quasi piatta agli occhi dello spettatore, si è poi, man mano messa maggiormente in risalto. Risaltato in specie il gioco dei sentimenti. Il sipario si è poi aperto di nuovo con una prima scena in cui si vedeva una tavola apparecchiata a cui erano se 
duti Adina, Belcore, Dulcamara, e Giannetta. Gli abitanti del villaggio, in piedi di contorno, bevendo e cantando dai cui poi, si è articolato tutto l’atto. Nella galleria d’entrata del teatro sono stati esposti cimeli appartenuti al grande tenore Enrico Caruso. L’appuntamento was the latest in a series of six that the festival has presented to its audience in five months from 30 October.
donizzettiana opera is so dear to the fans of opera. Audiences flocked to see who finished spectacle offered by the Cultural nth 'The excluded', by Anna D'Ambra, artistic director, and Michael Cerrato, the administration department. A show that has shown that its organizers have found the elixir of success. By now, just prepare the potion is a success is assured. A success that the series 'Theatrical Events 2010-2011' sought and deserved in his fourth edition. Nobody would have questioned, however, that the evening was a success. This is due to the fact that there were precedents. In the past theater review 2009-2010, the same theater, had already triumphed at the opera 'Cavalleria Rusticana'. On 12 March, however, the jubilation of the public, repeating, almost surpassing the previous year. That represented the public was a comic opera in which stand the relationship between the protagonists, Adina and Nemorino, the values \u200b\u200band character their love affairs all veiled by a vein of melancholy. The emotions conveyed by the work carried the audience glued to the chair, holding for both acts. The actions of the protagonists and set out in the course of the play, have been exalted above all from the stage, simple but concrete, and then the game, fun, fun, a variety of scenic elements moved by the same actors. To act as a stimulus for all also key reading on the opera stage revival REP 
entata. A stimulus to which everyone contributed. The story from the opera and its characters were revived in a plant scenic and historic other than its characteristic. The public has witnessed a kind of transposition of the installation stage to another period closest to them and who wanted to be sure, as was also said, a kind of communication language and visual impact to the public. The action was in fact, place the other hand, in a village in the Basque Country from the late eighteenth century, a village in Italy in the nineteenth century. A tribute to this, the organizers wanted to pay tribute to the anniversary of the Unification of Italy, which falls on 17 March. A fact which is also part of law in this theatrical event for the celebration of events 150 years of the unification of Italy. To perform on stage, the soprano Tiziana Galdieri in the role of Adina, wealthy and capricious tenant. The content Pittari Francis in the role of Nemorino, a peasant, a simple young man. The baritone Hermann Shepherd in the role of Belcore, a sergeant stationed. Massimo Rizzi down funny in the role of Dr. Dulcamara, medical rounds. The Cira Di Gennaro soprano in the role of Jeannette, villanelle. The vocal group 'The Singers of San Ferdinando': Soprano: Maria Pia Barlucchi, Antonio Siniscalchi, Maria Comparone, Concetta Ferraro, Maria Luisa Ciommiento, Mirella Bonavita, Sarah Fredericks, Matilde 
D'Andrea. Mezzo Soprano / contralto Anna Scognamiglio, Tonia Bernard, Teresa Perillo, Laura Pandalone, Assunta Iacobacci, Annamaria Batelli, Nadia Marino. Tenors: Carmine Mennella, Salvatore de Crescenzo, Luigi Strazullo, Salvatore Basile, Giuseppe Easter. Baritones / Basses: Andrea Langella, Nicola Munn, Ferdinand Lubello. Extras as listed: Francesco Colella, Anastasia Marino, Sergio Lieto, Alexei Novikov, Paolo Rocco, Federica Valenti, Paola Bianco Gaia. Trumpet: Enzo Cozza. Pianist: Rosario Pignatelli. Choreography: Robert Baiocchi. Assistant: Mark Rozza, Laura March. Mastro collaborator stage: Toni Bernard. Music Direction: Cira Di Gennaro. The curtain of the theater opened with a first scene was the yard of a farm where they were resting i mietitori e le mietitrici e sul cui sfondo si vedeva la campagna. Da qui poi, si è articolato tutto il primo atto attraverso dieci scene. La scena che, apparendo all’inizio quasi piatta agli occhi dello spettatore, si è poi, man mano messa maggiormente in risalto. Risaltato in specie il gioco dei sentimenti. Il sipario si è poi aperto di nuovo con una prima scena in cui si vedeva una tavola apparecchiata a cui erano se 
duti Adina, Belcore, Dulcamara, e Giannetta. Gli abitanti del villaggio, in piedi di contorno, bevendo e cantando dai cui poi, si è articolato tutto l’atto. Nella galleria d’entrata del teatro sono stati esposti cimeli appartenuti al grande tenore Enrico Caruso. L’appuntamento was the latest in a series of six that the festival has presented to its audience in five months from 30 October. 
0 comments:
Post a Comment